Showing posts with label fine art. Show all posts
Showing posts with label fine art. Show all posts

Friday, November 29, 2013

Statement Art

OK, it's Bomomo, but doesn't it make a statement?
All fine artists are feeling the brunt of today's current economy. Many of us have even gone so far as to say art just isn't selling. Of course, I know that that's not entirely true. Some people, people who still have lots of money, are still buying art. But they are not about to buy small affordable pieces like mine.The art which sells today is "statement" art. It's big, bold, expensive. One would even design whole rooms around it. So I find myself asking myself, does my art make a statement? No, I reply. My art just pretty much hints at a suggestion. In fact, you could even say my art asks a question.

So, maybe the answer is to create statement art. Maybe I need to step out of my comfort zone and buy the biggest canvas I can find and create art using the boldest colors I can think of and slap the biggest price tag on it that I dare. I must dare to be bold; make a statement and not just a whisper.

Monday, June 3, 2013

Crabulous 90% Off Sale!


Yes, I'm at it again! I'm running another sale of my artwork on Etsy and this time it's the larger pieces. I'm offering a selection of 16 pieces at 90% off for a limited time only. So click here to see the bargains:  Crabulous 90% Off Sale!

Tuesday, March 12, 2013

The Future Of Fine Art In America


When I first began painting and had finally created a few things that I felt were worthy of a price tag, I joined an artist co-op in Baltimore, Maryland. The Art Gallery of Fells Point was located on Thames Avenue in Fells Point and had a membership of about 60 artists; all of whom had to be juried into membership. I was thrilled! Even more thrilling was that I immediately began to sell my artwork. Barely a month went by when I didn't sell at least one painting and often it was more than that. That was in 1999. And for two years things were great! Then, along came 9/11.

After that, art sales dropped, rose again, then dropped, dropped, dropped, kept on dropping and then became almost non-existent. It was frustrating because I knew that my artwork was getting better and better.   And from talking with other artists, I knew I wasn't the only one. Then the galleries began to close their doors. 

At last I was left with no gallery representation and I endeavored to represent myself. I read the trade magazines that all proclaimed that the era of brick and mortar galleries was over and all sales would have to be made online. Artists should interface with the public by having a website at the barest minimum. But, even better to have a blog and maintain it daily. Better than that, was to promote your website and blog by keeping a Facebook personality. 

So,  I tried it all.

Then, when that still wasn't working I attempted the outdoor sales and invested money in a canopy and all the other necessary equipment. Things were better, but only a little.

Fortunately, I found the art fairs to be fun, but very frustrating; especially if I happened to get placed between two jewelry booths. 

Over the past 10 years it has become increasingly noticeable that sales of fine art have declined. But usable, wearable art is very, very popular. 

I have my own theories about this, but the "why's" don't really matter. I just wonder if fine art will ever again be appreciated by the masses. I know that wealthy, cultured people still purchase fine art; usually not less than four digits in the price tag (that's four digits to the left of the decimal point). So sure, I could add digits to my price tags, too. But getting accepted by galleries where these fine collectors shop (or their personal buyer or decorator shops) is a whole different story.

Artists who appeal to the mainstream, like myself, are competing with Target and Walmart for wall art. We're competing with China and mass produced, lower quality prints. It's tough.

I don't have an answer. I love creating fine art to hang on the wall. I love jewelry, but I have no desire to make it, and the same goes for pottery. 

For now, I will continue to create my mixed media paintings and attempt to sell them, but I'll also put my images on t-shirts, license tags and coasters, too, in the hope of generating some sort of income with which I can purchase more art supplies. It's a vicious cycle.

But, I know this... I'd hate to live in a world where original fine art ceases to exist. What a sad, gray world this would be.


Tuesday, January 22, 2013

Wordy Hydrangea

"Wordy Hydrangea" - 6x6 - Mixed Media Collage
OK, time to get back to talking about  my artwork. I've had fun setting up my new studio in Savannah and experimenting with new materials. I never thought for a moment I could get such great results from the most prosaic items.

The image you see above began with an inexpensive wrapped canvas. I further wrapped it in a sheet of newspaper and then to that I applied a scrubbed on layer of latex wall paint that I found among the paint samples at Lowe's. Then I made random swirly patterned designs with gold glitter glue and wrapped all of that in a layer of cheesecloth which I had dipped in acrylic metallic paint. 

Next I took a quilting iron and pressed it against some crayola crayons in various shades and let it drip onto a sheet of newsprint; using the iron to then swirl the drips around. After the crayon wax dried, I cut the newsprint into leaf shapes.

The hydrangea blossom itself is made from randomly tearing magazine photos selected for their colors so I could create a range of tonal values from light to dark. I accented selected blossoms with glitter glue and gold fabric paint, outlined the leaves in fabric paint and then, of course, splattered the entire piece in a wash of gold metallic paint. Fun!!!

Oh, and did you notice my new signature? I developed that while launching a self-study course on the art of Zentangles. More about that in a future post. ;)

Wednesday, October 3, 2012

Two More Crabs

I finished Crab In Blue and Crab in Gold to go with Crab In Red. I love their jewel tones. And although I'm willing to sell them individually, I think they'd go great together as in my example below.

"Crab In Blue" - 6x6 - Mixed Media Collage

"Crab In Gold" - 6x6 - Mixed Media Collage















Tuesday, July 24, 2012

Magenta Series #6

"Blue On Blue" - 11x14 - Mixed Media Collage
The final piece in the series of collages that all began with magenta canvases. This one was the most difficult and very nearly ended up being destroyed. A last ditch effort to unify the background by painting it cerulean blue made the difference between life and death for this bird. ;)

Monday, July 23, 2012

Magenta Series #5

"Murky Waters" - 8x10 - Mixed Media Collage
I needed to make some crabs quickly! The name of my art business "crabulous fine art" confuses some of the public. They come in looking to find crab art and even art made from crabs! Having sold my only crab piece at the last show I realized that I needed something crabby in a hurry!

Friday, July 20, 2012

Magenta Series #4

"Shhh! It's A Surprise!" - 10x14 - Mixed Media Collage
The fourth collage in the series to have a magenta background is this funny little mermaid. I was up late at night working on her and the next morning I was asking both my husband and my 13-year-old grandson whether they thought she was cute or scary. I never did get a straight answer from either one!

Thursday, July 19, 2012

Magenta Series #3

"Jonquils (Sort Of) - 8x10 - Mixed Media Collage
This is the third in the series of collage which all began with a magenta toned canvas. Once again, fantasy flowers, but this time in cheery yellow.

Wednesday, July 18, 2012

Magenta Series #2

"Con Spirito" - 8x10 - Mixed Media Collage
The spirit moved me to create fantasy flowers. Something not exactly flourishing in anyone's garden. The title comes from the directive in the piece of music; "with spirit."

Tuesday, July 17, 2012

The Magenta Series

"Yellow Iris" - 4x12 - Mixed Media Collage
This past Sunday I decided to hunker down and produce six new pieces in 48 hours. I had happily sold far more paintings than I expected on Saturday and I have a show coming up this Friday and felt a need to "fill in" (so to speak). 

In a stab at efficiency, I began by painting all six canvases in the same magenta paint. And one by one I'll show you the results. Please excuse any typos or anything weird. I'm exhausted!

"Yellow Iris" was the smallest of the six canvases. I really thought that I would do an abstract with this one, but instead this cheery iris appeared. I'm not complaining.

Saturday, March 24, 2012

Banners

I've learned that creating a banner for an exhibit tent is very different from creating a banner for a blog or a website. I thought I could just take images of my artwork and stretch them to fit. Hah! By the time you take an average painting and make it fit a 10" x 60" space it is quite pixilated and no amount of adjustments in Photoshop will make it any better.

So, I just created a banner from scratch, making the original size 10x60. I think I like it. Of course, it's 2:00 a.m., too, so right now I'm not in a position to make any long lasting judgments. I'll look at it again once I've slept on it.

Tuesday, November 24, 2009

Back at Work


Even if I don't have a plan when I walk into my studio, I know that I can sit down, start playing with my art supplies, even if it's just in my journal, and soon an idea will come to me and I'll be creating art again.

Last week; however, I just couldn't do it. I'd go into the studio, sit in my chair, look over my supplies and just sigh. I didn't have the energy either physical or mental. So I ended up taking a week long mental health break.

Today, though, I was back in the studio having fun and it felt great. I generally work on about a half-dozen things at once since I have to allow for drying time between certain stages of the work; that way I can work on another piece when one is drying. When I left my studio at 4:00 today I had the makings of six new pieces and had even dabbled in my journal a bit. With Thanksgiving coming up, who knows when I'll get the chance to spend any more time in my studio; but it feels good knowing that there's something for me to work on when I get the chance.